• ABOUT

  FlowTV is a critical forum on television and media culture published by the Department of Radio, Television, and Film at the University of Texas at Austin. Flow’s mission is to provide a space where the public can discuss the changing landscape of contemporary media.

• Archives

  Select Category 13.13 14.07 14.08 Asides CFP Featured Articles Guest Columns Lead Story Special Events Special Features Uncategorized Volume 1    1.01    1.02    1.03    1.04    1.05    1.06    1.07    1.08    1.09    1.10    1.11    1.12 Volume 10    10.01    10.02    10.03    10.04    10.05    10.06    10.07    10.08    10.09    10.10 – Special Issue: Sports Media Volume 11    11.01    11.02    11.03    11.04    11.05    11.06    11.07    11.08    11.09 – Special Issue: Flow Favorites 2010    11.10    11.11    11.12    11.13    11.14 – Special Issue: The Archive Volume 12    12.01    12.02    12.03    12.04    12.05    12.06    12.07    12.08    12.09 Volume 13    13.01    13.02    13.03    13.04    13.05 – Special Issue: Aca-Fandom    13.06    13.07    13.08    13.09    13.10    13.11    13.12    13.14 – Special Issue: Flow Favorites 2011 Volume 14    14.01    14.02    14.03    14.04    14.05    14.06    14.09 Volume 15    15.01    15.02    15.03    15.04    15.05    15.06    15.07    15.08 – Special Issue: SXSW    15.09    15.10    15.11    15.12 Volume 2    2.01    2.02    2.03    2.04    2.05    2.06    2.07    2.08    2.09    2.10 Volume 3    3.01    3.02    3.03    3.04    3.05    3.06    3.07    3.08    3.09    3.10    3.11    3.12 Volume 4    4.01    4.02    4.03    4.04    4.05    4.06    4.07    4.08    4.09    4.10    4.11    4.12 Volume 5    5.01    5.02    5.03    5.04    5.05    5.06    5.07    5.08    5.09    5.10    5.11    5.12    5.13 – Special Issue: Flow Conference 2006    5.14 – Special Issue: Latin American Media    5.15 – Special Issue: Video Games Volume 6    6.01    6.02    6.03    6.04    6.05    6.06    6.07    6.08    6.09 Volume 7    7.01    7.02    7.03    7.04    7.05    7.06    7.07    7.08    7.09 – Special Issue: Flow Favorites    7.10    7.11    7.12    7.13    7.14 – Special Issue: “Battlestar Galactica”    7.15 – Special Issue: The Writers’ Strike Volume 8    8.01    8.02    8.03    8.04    8.05    8.06    8.07    8.08    8.09    8.10 – Special Issue: Sarah Palin and the Media Volume 9    9.01    9.02    9.03    9.04    9.05    9.06 – Top 10 Lists 2008    9.07    9.08    9.09 – Special Issue: Saturday Night Live    9.10    9.11    9.12    9.13    9.14 – Special Issue: Social Media

• RECENT COMMENTS

  • Chance Darling on

    The Boob Tube

  • David Uskovich on Waking People Up, pt. II: Because There’s a War on For Your Mind
    Michael Kackman / Independent Scholar
  • Wheeler Winston Dixon on Film, Nostalgia, and The Digital Divide
    Wheeler Winston Dixon / University of Nebraska-Lincoln
  • TV, the Auteur, and Quality | J412: TV Criticism on Gertrude Berg, “Yoo-Hoo, Mrs. Goldberg,” and the Re-Discovery of a Television Auteur
    Bernard M. Timberg / University of North Carolina-Chapel Hill
  • edvard on

    Sim City or Dream City? Computer Imaging in the Reconstruction of Iraq

Tag archive for ‘Social Politics’

Indigeneity for Life: Bro’town and Its Stereotypes

by: Ilana Gershon / Indiana University
The writers of Bro’town insist on a distinction between stereotypes used to reinforce historically and economically grounded inequalities and stereotypes used to indicate differences without consequences.

Sometimes a kiss is just a kiss: (not) responding to the Richard Gere-Shipla Shetty controversy in India

by: Shanti Kumar / University of Texas-Austin
The Indian majority’s non-response to the Gere-Shetty kiss indicates reinforces the notion that diverse cultures in India have known how to live with each other for centuries

“Cibercultura” y cibercultur@

by: Jorge A. González / Universidad Nacional Autónoma de México
Una propuesta en cuanto al neologismo “cibercultur@”: entenderlo como un objeto de estudio y como un valor
de desarrollo y empoderamiento social. / A proposal to
use the neologism “cybercultur@” to designate an area
of study, as well as describe a value for development and social empowerment.

Xenofobia y Mitos en la Cobertura Televisiva de la Selección Nacional Mexicana

by: Jorge Alberto Calles-Santillana / Universidad de las Américas, Puebla
El fútbol es el deporte más popular de México y la transmisión de los partidos de la selección nacional
genera un ambiente emocional como ninguno otro
evento nacional. / Soccer is the most popular sport in Mexico, and its broadcasting develops a unique emotional appeal as no other national event.

Everybody Hates Chris and the (Overdue) Return of the Working-Class Sitcom

by: Tim Gibson / George Mason University
On Everybody Hates Chris, class issues are largely explored in Chris’s home life, while the show’s writers
use Chris’s travails at Corleone to foreground questions
of race.

Why Do I Love Television So Very Much?

by: Alan McKee / Queensland University of Technology
Why is television my favourite medium, moreso than cinema, radio, even than books? Why does art make me so angry, television so joyful?

Awkward Conversations About Uncomfortable Laughter

by: Henry Jenkins / Massachusetts Institute of Technology
Is Sarah Silverman making racist jokes, or jokes about racism?

Living Life in TiVo Time

by: Robert Schrag / North Carolina State University
Robert Schrag examines how the proliferation of highly individualized and instantly gratifying technology like TiVo leads to the fracturing of various realities and interpersonal time and space.

The Los Angeles Misanthrope

by: Walter Metz / Montana State University at Bozeman
Online publication, such as Flow, allows academics the much needed space to contemporaneously intervene into the reception of films and TV programs while they are still attended by the general population. The benefit of these interventions is changing the nature of reception by making it relevant to its time.