• ABOUT

  FlowTV is a critical forum on television and media culture published by the Department of Radio, Television, and Film at the University of Texas at Austin. Flow’s mission is to provide a space where the public can discuss the changing landscape of contemporary media.

• Archives

  Select Category 13.13 14.07 14.08 Asides CFP Featured Articles Guest Columns Lead Story Special Events Special Features Uncategorized Volume 1    1.01    1.02    1.03    1.04    1.05    1.06    1.07    1.08    1.09    1.10    1.11    1.12 Volume 10    10.01    10.02    10.03    10.04    10.05    10.06    10.07    10.08    10.09    10.10 – Special Issue: Sports Media Volume 11    11.01    11.02    11.03    11.04    11.05    11.06    11.07    11.08    11.09 – Special Issue: Flow Favorites 2010    11.10    11.11    11.12    11.13    11.14 – Special Issue: The Archive Volume 12    12.01    12.02    12.03    12.04    12.05    12.06    12.07    12.08    12.09 Volume 13    13.01    13.02    13.03    13.04    13.05 – Special Issue: Aca-Fandom    13.06    13.07    13.08    13.09    13.10    13.11    13.12    13.14 – Special Issue: Flow Favorites 2011 Volume 14    14.01    14.02    14.03    14.04    14.05    14.06    14.09 Volume 15    15.01    15.02    15.03    15.04    15.05    15.06    15.07    15.08 – Special Issue: SXSW    15.09    15.10    15.11    15.12 Volume 2    2.01    2.02    2.03    2.04    2.05    2.06    2.07    2.08    2.09    2.10 Volume 3    3.01    3.02    3.03    3.04    3.05    3.06    3.07    3.08    3.09    3.10    3.11    3.12 Volume 4    4.01    4.02    4.03    4.04    4.05    4.06    4.07    4.08    4.09    4.10    4.11    4.12 Volume 5    5.01    5.02    5.03    5.04    5.05    5.06    5.07    5.08    5.09    5.10    5.11    5.12    5.13 – Special Issue: Flow Conference 2006    5.14 – Special Issue: Latin American Media    5.15 – Special Issue: Video Games Volume 6    6.01    6.02    6.03    6.04    6.05    6.06    6.07    6.08    6.09 Volume 7    7.01    7.02    7.03    7.04    7.05    7.06    7.07    7.08    7.09 – Special Issue: Flow Favorites    7.10    7.11    7.12    7.13    7.14 – Special Issue: “Battlestar Galactica”    7.15 – Special Issue: The Writers’ Strike Volume 8    8.01    8.02    8.03    8.04    8.05    8.06    8.07    8.08    8.09    8.10 – Special Issue: Sarah Palin and the Media Volume 9    9.01    9.02    9.03    9.04    9.05    9.06 – Top 10 Lists 2008    9.07    9.08    9.09 – Special Issue: Saturday Night Live    9.10    9.11    9.12    9.13    9.14 – Special Issue: Social Media

• RECENT COMMENTS

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    Michael Kackman / Independent Scholar
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  • TV, the Auteur, and Quality | J412: TV Criticism on Gertrude Berg, “Yoo-Hoo, Mrs. Goldberg,” and the Re-Discovery of a Television Auteur
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    Sim City or Dream City? Computer Imaging in the Reconstruction of Iraq

Tag archive for ‘Deception’

Seeing is Believing

by: Jennifer Warren / Independent Scholar

Critics of photography envisioned a world where people had consumed the image and thought they had experienced the thing itself. It seems they weren’t far off the mark.

Let Me Tell You—

by: Craig Jacobsen / Mesa Community College
What’s new, or at least notable by degree, is the attention being given to the portrayal of storytelling within broadcast network programming.

Watching TV Poker

by: Mark Andrejevic / University of Iowa
Andrejevic considers the cultural logic of the recent surge in televised poker tourneys.

What a Long, Bad Trip It’s Been

by: Mark Andrejevic / University of Iowa
The voyeurism and surveillance of MTV’s One Bad Trip become inverted after the first season, leaving audiences to wonder; who’s watching, and who’s performing?

We Are So Screwed: Invasion TV

by: Derek Kompare / Southern Methodist University
Making sense of the supernatural on prime-time.

Irony Irony: The Mission (Accomplished) of The Daily Show

by: David Lavery / Middle Tennessee State University
Sham or not, The Daily Show remains deeply committed to its mission: “truthiness.”

Soap in the Chocolate Bar

by: Tom McCourt / Fordham University
Does Apple’s new iPod Nano represent greater freedom for digital music users?