A journal of television and new media

Tag archive for ‘Commercial Interests’

<p></p><p>Reinventing Public Media

Reinventing Public Media

by: Michael Curtin / University of Wisconsin-Madison
A pragmatic approach to the possibility of media reform

The Credibility of Reality TV and Its Lineage with other Photographic Arts

by: Mary Beth Haralovich / University of Arizona
Recently, I was asked to comment on the credibility of reality television as compared to the credibility of street photography by artists like Diane Arbus, Robert Frank and Cindy Sherman.

Why Media Scholars Should Write Corporate Histories

by: Frederick Wasser / Brooklyn College
Several trade publications have received notices that last month was the tenth anniversary of the launch of WB and UPN, the fifth and sixth broadcast TV networks, dubbed by the trades in their argot as “weblets.”

At Last, TV for People Just Like Me

by: Christopher Anderson / Indiana University
I hate your favorite television show. Honestly. I loathe it. You love it, I know. But it’s a stinking pile of shit.

An Open Letter to the Food Network

by: Anna McCarthy / New York University
Dear Food Network, I like cooking and I like eating . . .

Turning Back the Tidycans

by: Michael Curtin / University of Wisconsin-Madison
Most evenings my octogenarian, cigar-chomping, father-in-law likes to crank up the TV to full volume, pour a tall one, and settle into his easy chair where he methodically scans the news and talk channels, riding herd on the world from his perch in coastal Georgia.

Global Advertising Data SOX-ed up

by: John Sinclair / Victoria University, Melbourne
Those of us with an orientation towards political economy and an interest in how the advertising industry propels media development have lost a lot of wind from our sails with the Sarbanes-Oxley Act that was passed by U.S. Congress in July, 2002. The purpose of the Act is [...]

Media Left Out?

by: Thomas Streeter / University of Vermont
Never has the need for media reform been more obvious, more urgent, or — judging by everything from Moveon.org surveys to downloads of the Jon Stewart Crossfire clip — more popular.

Apology

by: Cynthia Fuchs / George Mason University
Apologizing is an art. And apologizing for TV is something else.

Want to Hear a Scary Story?

by: Eileen R Meehan / Lousiana State University
Behind Van Helsing lurked a scary tale waiting to be told: General Electric’s purchase of Vivendi’s Universal Vivendi Entertainment unit, which made and released Van Helsing.

<p></p><p>Small Pleasures

Small Pleasures

by: Mimi White / Northwestern University
Can you love and hate a television show at one and the same time?

<p></p><p>Affective Economics 101

Affective Economics 101

by: Henry Jenkins / Massachusetts Institute of Technology

The Apprentice
How many different ways is The Apprentice involved in branding?
1. The Brand as Protagonist: The Donald casts himself and his corporate empire as the series protagonists. In the Sept.23 episode, the Donald ascends down the escalator to a trumpet fanfare and then directs our eyes upwards to [...]