• ABOUT

  FlowTV is a critical forum on television and media culture published by the Department of Radio, Television, and Film at the University of Texas at Austin. Flow’s mission is to provide a space where the public can discuss the changing landscape of contemporary media.

• Archives

  Select Category 13.13 14.07 14.08 Asides CFP Featured Articles Guest Columns Lead Story Special Events Special Features Uncategorized Volume 1    1.01    1.02    1.03    1.04    1.05    1.06    1.07    1.08    1.09    1.10    1.11    1.12 Volume 10    10.01    10.02    10.03    10.04    10.05    10.06    10.07    10.08    10.09    10.10 – Special Issue: Sports Media Volume 11    11.01    11.02    11.03    11.04    11.05    11.06    11.07    11.08    11.09 – Special Issue: Flow Favorites 2010    11.10    11.11    11.12    11.13    11.14 – Special Issue: The Archive Volume 12    12.01    12.02    12.03    12.04    12.05    12.06    12.07    12.08    12.09 Volume 13    13.01    13.02    13.03    13.04    13.05 – Special Issue: Aca-Fandom    13.06    13.07    13.08    13.09    13.10    13.11    13.12    13.14 – Special Issue: Flow Favorites 2011 Volume 14    14.01    14.02    14.03    14.04    14.05    14.06    14.09 Volume 15    15.01    15.02    15.03    15.04    15.05 Volume 2    2.01    2.02    2.03    2.04    2.05    2.06    2.07    2.08    2.09    2.10 Volume 3    3.01    3.02    3.03    3.04    3.05    3.06    3.07    3.08    3.09    3.10    3.11    3.12 Volume 4    4.01    4.02    4.03    4.04    4.05    4.06    4.07    4.08    4.09    4.10    4.11    4.12 Volume 5    5.01    5.02    5.03    5.04    5.05    5.06    5.07    5.08    5.09    5.10    5.11    5.12    5.13 – Special Issue: Flow Conference 2006    5.14 – Special Issue: Latin American Media    5.15 – Special Issue: Video Games Volume 6    6.01    6.02    6.03    6.04    6.05    6.06    6.07    6.08    6.09 Volume 7    7.01    7.02    7.03    7.04    7.05    7.06    7.07    7.08    7.09 – Special Issue: Flow Favorites    7.10    7.11    7.12    7.13    7.14 – Special Issue: “Battlestar Galactica”    7.15 – Special Issue: The Writers’ Strike Volume 8    8.01    8.02    8.03    8.04    8.05    8.06    8.07    8.08    8.09    8.10 – Special Issue: Sarah Palin and the Media Volume 9    9.01    9.02    9.03    9.04    9.05    9.06 – Top 10 Lists 2008    9.07    9.08    9.09 – Special Issue: Saturday Night Live    9.10    9.11    9.12    9.13    9.14 – Special Issue: Social Media

• RECENT COMMENTS

  • Book Review: Legitimating Television by Newman and Levine « Media Milieus on Formatted to Fit Your Screen
    Jonathan Sterne / McGill University
  • Faculty Research: Dr. Randy Lewis on Unplugging at Flow « AMS :: ATX on No Arguments for the Elimination of Anything
    Randy Lewis/University of Texas at Austin
  • Michael on The Banality of Violence
    Robert Hariman/Northwestern University and John Louis Lucaites/Indiana University
  • Sudeep Dasgupta on Formatted to Fit Your Screen
    Jonathan Sterne / McGill University
  • Paul Gansky / FLOW Co-Managing Editor on Digital Media: Hot or Cool?
    Nicole Starosielski / Miami University

Tag archive for ‘Broadcast’

Strategies of Innovation in ‘High-End’ TV Drama: The Contribution of Cable 
 Trisha Dunleavy / Victoria University of Wellington 

Xenofobia y Mitos en la Cobertura Televisiva de la Selección Nacional Mexicana

by: Jorge Alberto Calles-Santillana / Universidad de las Américas, Puebla
El fútbol es el deporte más popular de México y la transmisión de los partidos de la selección nacional
genera un ambiente emocional como ninguno otro
evento nacional. / Soccer is the most popular sport in Mexico, and its broadcasting develops a unique emotional appeal as no other national event.

“Why 2008 Won’t Be Like 1984:” Viral Videos and Presidential Politics

by: Chuck Tryon / Fayetteville State University
How will voter-created viral videos shape the mediascape of the forthcoming 2008 US Presidential Election?.

Brand Loyalty vs. show loyalty, the strange case of Virgin vs. Sky

by: Nichola Dobson / Independent Scholar
Caught in between disputing media cable providers, audiences find alternative ways to circumvent the
media’s economically driven programming strategies.

Let Me Tell You—

by: Craig Jacobsen / Mesa Community College
What’s new, or at least notable by degree, is the attention being given to the portrayal of storytelling within broadcast network programming.

Network Television’s Ongoing Struggle with Web-based Television

by: Ray Cha / Independent Scholar
Peers accepted, provide online channels for established media.

Broadcasting Is Dead, Long Live Broadcasting

by: John McMurria / DePaul University
As Internet companies move towards increasing video content they have begun to look to television as a model. What lessons can be learned from the history of broadcast as Internet/TV convergence gains momentum? In 4 case studies of Internet/TV convergence, the issues of access, fair use and public initiatives are explored and critiqued.

The August Audience

by: Jonathan Gray / Fordham University
While television networks are rolling out their lineups of new shows this month, many potential viewers have already decided which programs they will tune in to, and which they will actively avoid. How does pre-season marketing play in to the way audiences interpret television texts, and how do we analyze those readings as critics in television studies?

Get Lost in a Good Story: Serial Creativity on a Desert Island

by: David Lavery / Middle Tennessee State University
Can Lost sustain its suspense while retaining the good faith of and credibility with a deeply inquisitive viewership, determined to puzzle out its mysteries?