Murray Pomerance / Ryerson University

A Parallax Case: Gender Performance in Wings of the Morning
Murray Pomerance / Ryerson University

May 6, 2011 Murray Pomerance / Ryerson University Leave a comment

Murray Pomerance explores audience reception of the playful gender dynamics as performed in Wings of the Morning (1937).

“Who Lives?”: Notes on a Cinematic Moment
Murray Pomerance / Ryerson University

February 11, 2011 Murray Pomerance / Ryerson University 3 comments

In the true, unfolding experience of watching cinema, in our actual presence with the image, our sense of being struck depends on our relation to telltale moments.

Uncle Boonmee Who Can Recall His Past Lives,
and What We Know
Murray Pomerance / Ryerson University

November 12, 2010 Murray Pomerance / Ryerson University One comment

“Can it be that we are capable of seeing—with our vast technology and hyperstimulated imaginations—only what was once ourselves, only what we have survived?” Thai film Uncle Boonmee Who Can Recall His Past Lives inspires us to think about our own lives.

A Parallax Case: Gender Performance in Wings of the Morning Murray Pomerance / Ryerson University

“Who Lives?”: Notes on a Cinematic Moment Murray Pomerance / Ryerson University

Uncle Boonmee Who Can Recall His Past Lives, and What We Know Murray Pomerance / Ryerson University

A Parallax Case: Gender Performance in Wings of the Morning
Murray Pomerance / Ryerson University

“Who Lives?”: Notes on a Cinematic Moment
Murray Pomerance / Ryerson University

Uncle Boonmee Who Can Recall His Past Lives,
and What We Know
Murray Pomerance / Ryerson University