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Derek Kompare / Southern Methodist University

Past Media, Present Flows
Derek Kompare / Southern Methodist University

September 28, 2014 Derek Kompare / Southern Methodist University Leave a comment

Derek Kompare relates his discussion from the Core Conversation focusing on TV preservation, examining past media within the contemporary media landscape along with the whys and hows of its preservation and access.

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Streaming as Shelving: The Media Past in the Media Future
Derek Kompare / Southern Methodist University

May 5, 2014 Derek Kompare / Southern Methodist University Leave a comment

A discussion over the emerging online distributions of media, and their effects on previous distribution channels.

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Adverstreaming: Hulu Plus
Derek Kompare / Southern Methodist University

February 24, 2014 Derek Kompare / Southern Methodist University 4 comments

An analysis about Hulu’s growth and strategies regarding its streaming service.

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Cult Streaming: Warner Archive Instant
Derek Kompare / Southern Methodist University

December 16, 2013 Derek Kompare / Southern Methodist University 2 comments

Rethink the transition from physical to virtual medias by highlighting Warner Archive Instant.

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Producers, Publics, and Podcasts: Where Does Television Happen?

January 26, 2006 Derek Kompare / Southern Methodist University 7 comments

by: Derek Kompare / Southern Methodist University
An investigation of the tangled creative relationship between fans and the television industry in the age of the internet.

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We Are So Screwed: Invasion TV

November 18, 2005 Derek Kompare / Southern Methodist University 3 comments

by: Derek Kompare / Southern Methodist University
Making sense of the supernatural on prime-time.

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Reality TV

September 23, 2005 Derek Kompare / Southern Methodist University One comment

by: Derek Kompare / Southern Methodist University
How Hurricane Katrina can reshift how we define reality TV worth watching.

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Teaching Television, or What I’ve Learned From Flow

July 22, 2005 Derek Kompare / Southern Methodist University 4 comments

by: Derek Kompare / Southern Methodist University
Rediscovering the excitement of teaching television studies.

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The Seeds of Doom?

May 13, 2005 Derek Kompare / Southern Methodist University 4 comments

by: Derek Kompare / Southern Methodist University
What the new Doctor Who can tell us about the machinations of cultural globalization.

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FlowTV
flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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flowtv FLOW @flowtv ·
26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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flowtv FLOW @flowtv ·
23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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