A journal of television and new media

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<p></p><p><em>Studio 60</em> and the Limits of Self-Critique

Studio 60 and the Limits of Self-Critique(6)

November 3, 2006

by: Tim Gibson / George Mason University

Studio 60 on the Sunset Strip promises a “behind the screens” look into the television industry. Here viewers sit ringside in the battle between art and commerce, as a team of actors, writers, and producers work frantically to broadcast ninety minutes of Saturday-Night-Live-style sketch comedy each week.

<p></p><p>Intervention and the Kodak Moment

Intervention and the Kodak Moment

by: Eric Freedman / Florida Atlantic University

Photographic objecthood, migratory patterns and the familial gaze in A&E’s Intervention

<p></p><p>Muslim-Mania and the Liberal Impulse on British TV

Muslim-Mania and the Liberal Impulse on British TV

by: Sarita Malik / Brunel University

British factual television is widely considered to be the best in the world, yet the coverage of stories foregrounding Muslims has been both sensationalist and simplistic.

<p></p><p>More Food for Thought…

More Food for Thought…

by: Janet McCabe and Kim Akass

Vesuvio, Artie Bucco, and Melodramatic Melancholy on The Sopranos.


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