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  FlowTV is a critical forum on television and media culture published by the Department of Radio, Television, and Film at the University of Texas at Austin. Flow’s mission is to provide a space where the public can discuss the changing landscape of contemporary media.

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  Select Category 13.13 14.07 14.08 Asides CFP Featured Articles Guest Columns Lead Story Special Events Special Features Uncategorized Volume 1    1.01    1.02    1.03    1.04    1.05    1.06    1.07    1.08    1.09    1.10    1.11    1.12 Volume 10    10.01    10.02    10.03    10.04    10.05    10.06    10.07    10.08    10.09    10.10 – Special Issue: Sports Media Volume 11    11.01    11.02    11.03    11.04    11.05    11.06    11.07    11.08    11.09 – Special Issue: Flow Favorites 2010    11.10    11.11    11.12    11.13    11.14 – Special Issue: The Archive Volume 12    12.01    12.02    12.03    12.04    12.05    12.06    12.07    12.08    12.09 Volume 13    13.01    13.02    13.03    13.04    13.05 – Special Issue: Aca-Fandom    13.06    13.07    13.08    13.09    13.10    13.11    13.12    13.14 – Special Issue: Flow Favorites 2011 Volume 14    14.01    14.02    14.03    14.04    14.05    14.06    14.09 Volume 15    15.01    15.02    15.03    15.04    15.05    15.06    15.07    15.08 – Special Issue: SXSW    15.09    15.10    15.11    15.12 Volume 2    2.01    2.02    2.03    2.04    2.05    2.06    2.07    2.08    2.09    2.10 Volume 3    3.01    3.02    3.03    3.04    3.05    3.06    3.07    3.08    3.09    3.10    3.11    3.12 Volume 4    4.01    4.02    4.03    4.04    4.05    4.06    4.07    4.08    4.09    4.10    4.11    4.12 Volume 5    5.01    5.02    5.03    5.04    5.05    5.06    5.07    5.08    5.09    5.10    5.11    5.12    5.13 – Special Issue: Flow Conference 2006    5.14 – Special Issue: Latin American Media    5.15 – Special Issue: Video Games Volume 6    6.01    6.02    6.03    6.04    6.05    6.06    6.07    6.08    6.09 Volume 7    7.01    7.02    7.03    7.04    7.05    7.06    7.07    7.08    7.09 – Special Issue: Flow Favorites    7.10    7.11    7.12    7.13    7.14 – Special Issue: “Battlestar Galactica”    7.15 – Special Issue: The Writers’ Strike Volume 8    8.01    8.02    8.03    8.04    8.05    8.06    8.07    8.08    8.09    8.10 – Special Issue: Sarah Palin and the Media Volume 9    9.01    9.02    9.03    9.04    9.05    9.06 – Top 10 Lists 2008    9.07    9.08    9.09 – Special Issue: Saturday Night Live    9.10    9.11    9.12    9.13    9.14 – Special Issue: Social Media

• RECENT COMMENTS

  • Chance Darling on

    The Boob Tube

  • David Uskovich on Waking People Up, pt. II: Because There’s a War on For Your Mind
    Michael Kackman / Independent Scholar
  • Wheeler Winston Dixon on Film, Nostalgia, and The Digital Divide
    Wheeler Winston Dixon / University of Nebraska-Lincoln
  • TV, the Auteur, and Quality | J412: TV Criticism on Gertrude Berg, “Yoo-Hoo, Mrs. Goldberg,” and the Re-Discovery of a Television Auteur
    Bernard M. Timberg / University of North Carolina-Chapel Hill
  • edvard on

    Sim City or Dream City? Computer Imaging in the Reconstruction of Iraq

3.09

Spouse Exchanges: I Know the Perfect People …(5)

January 13, 2006

by: Megan Mullen / University of Wisconsin-Parkside
Is the families selecting process to participate in reality TV showing American entertainment preferences? Are you and your family eligible?

Why Accurate Audience Measurement is Worth the Trouble

by: Elliot Panek / Emerson College & former FLOW Staff
Perhaps we’ll never have totally accurate answers to our “who’s watching and why” questions, but that doesn’t make the search for these answers any less worthwhile.

Speaking to Each Other at Last? The Ghost of TV Past, Present and To Come…

by: John Hartley / Queensland University of Technology, Australia
A look backwards at the role of television scholarship reveals some insights about where we can go from here, as well as the roads not travelled.

The Open University, Media Studies and New Times

Insight into how The Open University has changed Media Studies Pedagogy.

More in this category:

• Trauma Time: Family, Community and Criminality in Close to Home

• Let’s Get Small: The Year When the Record Industry Broke and Listeners Became Crazy, Mixed Up, Downloading, File-Sharing Freaks

• On The Set With Degrassi: The Next Generation ~ There’s Something to Be Said for Passion