A journal of television and new media

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<strong>That’s not blood, that’s music: Dexter’s musical seriality</strong> <br /> <em>Lisa Coulthard / University of British Columbia</em>

That’s not blood, that’s music: Dexter’s musical seriality
Lisa Coulthard / University of British Columbia(0)

July 30, 2010

Coulthard examines the importance of the musical score in relation to television programming, using the series “Dexter” as a compelling case study of colorful aural storytelling.

<strong><em>“This Must Be a Bad Movie”</em>: Genre and Self-Reflexivity in <em>Alan Wake</em></strong><br /><em> Racquel M. Gonzales / FLOW Staff </em>

“This Must Be a Bad Movie”: Genre and Self-Reflexivity in Alan Wake
Racquel M. Gonzales / FLOW Staff

An exploration of the game’s unique play experience and the unexpected pleasures in guided interactive storytelling.

<strong>Tying Narrative Threads by Opening Closet Doors: Coming Out on <em>Ugly Betty</em></strong><br /><em>Melanie Kohnen / Georgia Institute of Technology</em>

Tying Narrative Threads by Opening Closet Doors: Coming Out on Ugly Betty
Melanie Kohnen / Georgia Institute of Technology

Narrative cohesion in the coming-out story of Ugly Betty.

<strong>Kitchen Monoliths: Memories of Domestic Minimalism </strong><br /><em> Paul Gansky / FLOW Staff </em>

Kitchen Monoliths: Memories of Domestic Minimalism
Paul Gansky / FLOW Staff

On the unholy marriage of Woody Harrelson, home freezers and minimalist art.


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