Volume 12 
Merata Mita (1942-2010) and the Idea of an Accented Pacific Cinema
Konrad Ng / University of Hawai’i at Mānoa (3)
September 24, 2010
A view into the world of indigenous filmmaking through the life of Merata Mita including reflections on an “accented” approach to Pacific cinema.
Chop Shop, Music Supervision and The Recording Industry’s Possible Futures
Kyle Barnett / Bellarmine University
An analysis of the role of the “music supervisor” in contemporary multimedia American recording industry practices.
Revisiting “The Canadian Conspiracy”
R. Colin Tait / FLOW Staff
Are Canadians taking over Hollywood? Is Canada trying to infiltrate the entertainment industry from within? Colin Tait investigates the “Canadian Conspiracy.”
De-racializing “Deadbeat Dads:” Paternal Involvement in MTV’s Teen Mom
Samuel Jay / University of Denver
A look at MTV’s Teen Mom and how the show transforms the image of “deadbeat dads.”
More in this category:
- Modern Family, Glee, and the Limits of Television Liberalism
Alexander Doty / Indiana University - Tricking the Taste Buds: Messages of Deception and Inconvenience in “Healthy” Food
Daren C. Brabham / UNC Chapel Hill - AIDS, History, and Generation in Brothers & Sisters,
Melanie Kohnen / Georgia Institute of Technology - “The future, Mr. Gittes. The future”: Next Wave Filmmaking, Part 2*
Robert Sickels / Whitman College - Betty’s Back? Remembering the Relevance of the Rerun in the Age of Social Media
Dan Faltesek / University of Iowa - The Raw and the Cooking Channel: Men, Food and the Network Brand
Sarah Murray / FLOW Staff - “We’re gonna need a montage”: musical cliche and the CSI franchise
Lisa Coulthard / University of British Columbia - ¡VIVA LA BROWN PERIL! The Political and Temporal Landscape of Machete
Esteban del Rio / University of San Diego - My Co-Worker is on Big Brother
Ann Johnson / Cal State University, Long Beach - Life: Oprah Gone Wild
Janani Subramanian / University of Southern California - So Why Did Everybody Love Raymond?
Kelli Marshall / University of Toledo - Meaningful Diversity: Exploring Questions of Equitable Representation on Diverse Ensemble Cast Shows
Mary Beltran / University of Wisconsin – Madison - Hot in Cleveland: Everything Old is New Again?
Alexander Doty / Indiana University - “The future, Mr. Gittes. The future.”: Next Wave Filmmaking and Beyond, Part 1 *
Robert Sickels / Whitman College - On Retrospective Reception: Watching LVN Pictures at the Cinemalaya Film Festival
Bliss Cua Lim / University of California, Irvine - Fiercely Real? Tyra Banks’ Body Politics and Post-Feminist Branding
Jessalynn Keller / Flow Special Features Editor - “We Think INSIDE the Box”: CD Box Sets in the Download Era
Kyle Barnett / Bellarmine University - That’s not blood, that’s music: Dexter’s musical seriality
Lisa Coulthard / University of British Columbia - “This Must Be a Bad Movie”: Genre and Self-Reflexivity in Alan Wake
Racquel M. Gonzales / FLOW Staff - Tying Narrative Threads by Opening Closet Doors: Coming Out on Ugly Betty
Melanie Kohnen / Georgia Institute of Technology - Kitchen Monoliths: Memories of Domestic Minimalism
Paul Gansky / FLOW Staff - Modern Family’s Indictment of Modern Families
Esteban del Rio and Kasey Mitchell / University of San Diego - Power in Parody: Femininity 101 at RuPaul’s Drag U
Daren C. Brabham / UNC at Chapel Hill - “They Have the Oscars”: Oppositional Telebranding and the Cult of the Horror Auteur
Joe Tompkins / University of Minnesota - Show Musical Good, Paired Segments Better: Glee’s Unevenness Explained
Kelli Marshall / University of Toledo - “Betty White Found Dead” and Other Fake Gossip
Carolina Hernandez / FLOW Staff - Pwning OWN: the unlikely ascent of Zach Anner
William J. Moner / FLOW Co-Coordinating Editor - In the Shadow of a Metaphor: The Vampire Diaries and Southern History
Janani Subramanian / University of Southern California - Thank You for Not Answering All of My Questions
Ann Johnson / Cal State University, Long Beach - The Harnessed Mob: Where’s the Glee, When Flash Mobs Have Network Sponsors?
Mary Beltran / University of Wisonsin, Madsion - Save Our Schools Hawai’i: Tactical Media In the Digital Age
Konrad Ng / University of Hawai’i at Mānoa - I Love Shari: My Queerly Feminist Life with TV
Alexander Doty / Indiana University - Pepot and the Archive: Cinephilia and the Archive Crisis of Philippine Cinema
Bliss Cua Lim / University of California, Irvine - Niche Market, Global Scale: Simulcasting Anime Online
Amanda Landa /Flow Staff - “That’s All I Intend to Share Right Now”: Adultery and Privacy in The Good Wife
Suzanne Leonard / Simmons College - Iggy Does Dinah!: Musical Performance On Talk TV
Kyle Barnett / Bellarmine University - Familiarity Breeds Desire: Seriality and the Televisual Title Sequence
Lisa Coulthard / University of British Columbia - Dudes Come Clean: Negotiating a Space for Men in Household Cleaner Commercials
Caroline Leader / FLOW Staff - “Fight for the Futures We Want”: FlashForward, Temporality and Queer Possibilities
Melanie Kohnen / Georgia Institute of Technology - Bend it Like Shuster: Broadcasting Curling’s Accessibility
Daren C. Brabham / University of North Carolina at Chapel Hill - Lost at the Movies
Robert C. Sickels / Whitman College - Pedaling through the Transnational Public Screen
Esteban del Rio / University of San Diego - The Minutemen in the Media: The Rise and Fall of the Populist Movement
Carolyn Brown / American University - ABC’s The Middle: Redefining the Working-Class Male
Kelli Marshall / University of Toledo - A Bitter Pill: Nurse Jackie and a Discourse of Discontent
Janani Subramanian / University of Southern California - The Revolution is Televised
Julia Lesage / University of Oregon - Can Rational Thought Be Entertaining?
Ann Johnson / Cal State University, Long Beach - The Fantastic, Feminist Religion of Wonderfalls
Charlotte Howell / FLOW Staff - What’s at stake in claims of “post-racial” media?
Mary Beltran / University of Wisconsin – Madison