Featured Articles 
Institutions That Fail, Narratives That Succeed:
Television’s Community Realism Versus Cinema’s Neo-Liberal Hope(11)

Why The Wire and Friday Night Lights are so fundamentally different from Freedom Writers and We Are Marshall–and why that matters.
In Search of Bigfoot:
The Use and Obsolescence of Bionics

NBC’s resurrection of (The) Bionic Woman has prompted me to think through the contemporary relevance of bionics, and map its reintroduction against the popular imaginary of the mid-1970s.
The Cult of Æon Flux

What happened to the transgressive pleasures of Aeon Flux when it moved from small screen to large?
Durham County: “HBO can eat its heart out”
by: Michele Byers / Saint Mary’s University

Durham County (2007) is a hybrid creature–exportable Canadian drama stripped of all national and cultural
markers and defying generic conventions. The six-episode series about a cop and a serial killer competes with the US specialty cable market and is grabbing both audience approval and critical acclaim.
More in this category:
Why Political Journalists Should Get Into Top Gear
Not Yo’ Momma’s Cyborg: Transformers Meet More Than Your Eye
The Joys of “Civic TV,” or
Television You Probably Don’t Watch8-Bit Porn: Atari After Dark
Mommy, Is That a Boy Text or a Girl Text?
Indigeneity for Life: Bro’town and Its Stereotypes
La televisión cultural mexicana
Everybody Hates Chris and the (Overdue) Return of the Working-Class Sitcom
Queering Justin
Why Do I Love Television So Very Much?
- Little Mosque on the Prairie: The Life and Times of the CBC
Sex, Love, Television – Part 1
Pink Slips for Booth Babes?: No Way! Re-train and Re-skill!
The Limits of the Cellular Imaginary: iPhone and the Snuff Film
The Best 10 Minutes of Television?… Ever?
Borat In (Next To!) The Balkans
Micro-Ethnographies of the Screen: Sign-Off
Passion is No Ordinary Word
Studio 60 and the Limits of Self-Critique
The YouTube Community
How TV Met Narrative Sophistication
The Best of Television: The Inaugural Flow Critics’ Poll
24: Jumping the Shark Every Minute
“Israeli Idol” Goes to War: The Globalization of Television Studies
Don Knotts: Reluctant Sex Object
- Total Information Awareness – The Media Version
The Curious State of Live TV
Playing in the Technological Sandbox
- Editorial Special Feature: An Interview with Student Writers and Filmmakers
Is It Live or Is It Real?: Live Television's Shrinking Significance in Modern Life
Where the Boys Are: Postfeminism and the New Single Man
- Trading Races: Black. White. on the FX Network
- Hysterical Horowitz and The Culture of Television
Watching TV Poker
Truth and Beauty
- Lessons from the Undead: How Film and TV Zombies Teach Us About War
Spouse Exchanges: I Know the Perfect People …
Stripping (Part 1)
Football Talk
Reflections on Katrina in Brazil
The Worst Happened
Living Life in TiVo Time
The “Popular Culture and Philosophy” Books and Philosophy: Philosophy, You’ve Officially Been Pimped
Sim City or Dream City? Computer Imaging in the Reconstruction of Iraq
Teen Choice Awards: Better Than The Emmys?
The Commitments
Separated at Birth?
Race Fictions: Crash, Do the Right Thing and La Haine
Discovering the Art of Television’s Endings
Evaluation, Analysis, Reform, and the Peabody Awards
Media Studies for the Hell of It?: Second Thoughts on McChesney and Fiske
Global Television and Multiple Layers of Identity
Fans of Lesbians on TV: The L Word’s Generations
The Copyright Creative Stranglehold
This Week on Flow
Everything Will Flow
Nanny TV
Who Wants to be a Crorepati?: Global Television and Local Genres in India
Overhaulin’ TV and Government (Thoughts on the Political Campaign to Pimp Your Ride)
Transform Me, Please…
Women Watching Sports
Why Fox News is a Good Thing
“Citizen versus Consumer”: Rethinking Core Concepts
My Big Flat Screen TV
A Column About Columns
MGM, DVD, and “TV”
Affective Economics 101