The Bravo network’s programming as a whole seems to use the eccentric ethnic character as a formulaic strategy to enhance a show’s entertainment value
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RuPaul’s DragU, while rejecting normative and essentialist gender roles, exposes an “ideal” femininity that is framed in notions of masculinity and leaves us with only the charades of faux gender.
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Considering the representations and constructions of Dominican identity on Saturday Night Live.
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Former Managing Editors Laurel Rogers (Vol. 30)Kathryn Hartzell (Vol. 30)Paxton Haven (Vol. 29)Andy Fischer Wright (Vol. 29)Laura Brown (Vol. 28)Ash d’Harcourt (Vol. 28)Nathan Rossi (Vol. 27)Maggie Steinhauer (Vol. 27)Rusty Hatchell (Vol. 26)Selena Dickey (Vols. 25-26)Kate Cronin (Vol. 25)Lesley Willard (Vol. 24)Cameron Lindsay (Vol. 24)Jacqueline Pinkowitz (Vols. 22-23)Tim Piper (Vols. 22-23)Keara Goin (Vols. 18-21)Adolfo Mora (Vols. 18-21)Alfred Martin (Vols. 14-17)Paul Gansky […]
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David Murray’s reinterpretation of Nat King Cole prompts me to rehear The Nat King Cole Show, especially in the context of black televisual presence in today’s digital platforms.
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Former Managing Editors Kate Cronin (Vol. 25) Lesley Willard (Vol. 24) Cameron Lindsay (Vol. 24) Jacqueline Pinkowitz (Vols. 22-23) Tim Piper (Vols. 22-23) Keara Goin (Vols. 18-21) Adolfo Mora (Vols. 18-21) Alfred Martin (Vols. 14-17) Paul Gansky (Vols. 14-17) Colin Tait (Vols. 13-14) William Moner (Vols. 12-14) Alexander Cho (Vols. 11-12) Jacqueline Vickery (Vols. 8-11) Anne Petersen (Vols. 8-10) Peter […]
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