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Month: December 2012

Ranks and Files: On Metacritic and Gamerankings
Peter Krapp / UC Irvine

December 18, 2012 Peter Krapp University of California Irvine 4 comments

How Metacritic and Gamerankings affect production in the video game industry.

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Notes on the Racial Contours of Visual Culture in São Paulo, Brazil
Reighan Gillam /University of Michigan

December 18, 2012 Reighan Gillam / University of Michigan 2 comments

An examination of the visual and racial representations of Afro-Brazilians in the public sphere.

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Liberal Scribbles on my Newsfeed: Political Gestures on Social Media
Eve Ng / Five College Women’s Studies Research Center and the University of Massachusetts-Amherst

December 18, 2012 Eve Ng / University of Massachusetts-Amherst 2 comments

Construction of political identities online.

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Breaking Dad
Brad Gyori / Tribeca Flashpoint Media Arts Academy

December 18, 2012 Brad Gyori Tribeca Flashpoint Media Arts Academy 17 comments

A consideration for the changing roles of patriarchy in television with specific reference to Breaking Bad’s Walter White.

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Blind Spots: Religion in Media Studies
Erica Robles-Anderson / New York University

December 18, 2012 Erica Robles-Anderson New York University 2 comments

A discussion of the ongoing media project of Protestantism and the centrality of religion to the project of social theory.

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The Unbearable Literacy of Media: Travels in the Reality-Based Community
Ralph Beliveau / University of Oklahoma

December 3, 2012 Ralph Beliveau University of Oklahoma Leave a comment

Media literacy, youth, and the loss of historical perspective.

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Aspect Jumping
J.D. Connor / Yale University

December 3, 2012 J.D. Connor Yale University One comment

A consideration of aspect jumping on film and television.

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Rescuing Anita: Games, Gamers, and the Battle of the Sexes
Jennifer deWinter / Worcester Polytechnic Institute
Carly Kocurek / Illinois Institute of Technology

December 3, 2012 Jennifer deWinter / Worcester Polytechnic Institute and Carly Kocurek / Illinois Institute of Technology 2 comments

Violence in the online gaming community.

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Habit-Change in the Mobile Present
Heidi Rae Cooley/ University of South Carolina

December 3, 2012 Heidi Cooley University of South Carolina One comment

This first installment of a multi-part series draws on Michel Foucault’s “ethical living,” and Charles Sanders Pierce’s “habit-change” to offer a way to think about the possibility of changing habitual ways of being in the mobile present.

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What Should We Call Reading?
Mara Mills / New York University

December 3, 2012 Mara Mills / New York University 2 comments

The slipperiest of activities: reading’s relationship to bodies, devices, symbols, and environments.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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