A journal of television and new media

Archive for October, 2012

Hyperreal Gangster Hybridity in <em>Snow on tha Bluff</em><br />Annie Major / <em>University of Texas at Austin</em>

Hyperreal Gangster Hybridity in Snow on tha Bluff
Annie Major / University of Texas at Austin

Race and the aesthetics of authenticity in hyperreal television.

<strong>Alton Brown: Good Eats, mad science and masculinities in the kitchen</strong> <br /> <em>Irina Mihalache / American University of Paris</em>

Alton Brown: Good Eats, mad science and masculinities in the kitchen
Irina Mihalache / American University of Paris

Alton Brown and men who play well in the kitchen.

<strong>How We Talk About Media Refusal, Part 3: Aesthetics</strong> <br /> <em>Laura Portwood-Stacer / New York University</em>

How We Talk About Media Refusal, Part 3: Aesthetics
Laura Portwood-Stacer / New York University

How refusing media becomes a part of taste culture.

<strong>The Ambiguously Gay Duo of <em>Sherlock</em>: Sexual Aesthetics and the Limits of Cinematic Language</strong> <br /> <em>Camille DeBose / DePaul University</em>

The Ambiguously Gay Duo of Sherlock: Sexual Aesthetics and the Limits of Cinematic Language
Camille DeBose / DePaul University

An examination of the role of sexuality on BBC’s Sherlock.

<strong> Direct-to-Consumer-Advertising and the Archipelago of Medicalization </br><em>Black Hawk Hancock / DePaul University</em></strong>

Direct-to-Consumer-Advertising and the Archipelago of Medicalization
Black Hawk Hancock / DePaul University

Patients and consumers adrift in a sea of groundless for-profit medicalization.

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