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Month: September 2012

It’s (Not) In His Kiss: Gay Kisses, Narrative Strategies, and Camera Angles in Post-Network Television Comedy
Alfred L. Martin, Jr. / The University of Texas at Austin

September 25, 2012 Alfred Martin / FLOW Co-Managing Editor 5 comments

An examination of the ways in which camera angles and narrative strategies are deployed in representations of same sex intimacy on network television comedies.

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Rachel Maddow, School Marm
Janet Staiger / University of Texas at Austin

September 25, 2012 Janet Staiger / University of Texas-Austin Leave a comment

How Rachel Maddow plays the role of the “school marm” to get her point across.

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Could it Be? It’s Becoming Chic to be Geek
Mary Vanderlinden / Averett University

September 25, 2012 Mary Vanderlinden Averett University 3 comments

The Big Bang Theory, television, and geek tropes.

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Gaycoms in a Progressive Age?: Partners and The New Normal
Stephen Tropiano / Ithaca College

September 25, 2012 Stephen Tropiano / Ithaca College 6 comments

Obama, Partners, The New Normal, and the question of marriage equality.

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“A hole new fashion”: The Polo mint campaign in India
Shanti Kumar/University of Texas at Austin

September 18, 2012 Shanti Kumar / University of Texas One comment

Nestle, Polo, and the collision of high-end fashion with low-end merchandise.

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Being Guy Fieri: The “chef-dude” and the geography of a bro kitchen
Irina Mihalache / American University of Paris

September 11, 2012 Irina D Mihalache American University of Paris 2 comments

Irina Mihalache explores Guy Fieri’s kitchen and demonstrates how the geography of the space and the objects in the kitchen transform a space for cooking into a space for play where even men with tattoos, 1960s red convertibles and electric guitars can feel at ease.

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The Medical Gaze, Your Health and You
Black Hawk Hancock / DePaul University

September 10, 2012 Black Hawk Hancock / DePaul University One comment

Black Hawk Hancock draws attention to the ways that direct-to-consumer advertisements (DCTA) work as mirrors to induce us to think about ourselves as bodies, as selves, as patients, and as consumers.

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How We Talk About Media Refusal, Part 2: Asceticism
Laura Portwood-Stacer / New York University

September 10, 2012 Laura Portwood Stacer New York University 6 comments

Digital diets, fasts, cleanses, and the politics of asceticism.

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Pigmalion: Animality and Failure in Here Comes Honey Boo Boo
Andrew Scahill/George Mason University

September 10, 2012 Andrew Scahill / George Mason University 9 comments

Here Comes Honey Boo Boo and the “white trash spectacle”

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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