A journal of television and new media

Archive for January, 2011

<strong>Bromance and the Boys of <em>Boston Legal</em></strong> <br /> <em>Kelli Marshall / University of Toledo</em>

Bromance and the Boys of Boston Legal
Kelli Marshall / University of Toledo

Marshall explores the homosocial “bromance” of Alan Shore and Denny Crane in “Boston Legal” leading up to the series’ climax.

<strong>1979 is 2011: Post-Punk on the Road Again</strong> <br /> <em>Norma Coates / University of Western Ontario</em>

1979 is 2011: Post-Punk on the Road Again
Norma Coates / University of Western Ontario

Coates waxes nostalgic as the punk bands who defined p

<strong>Problems in “Wellywood”: Rethinking the politics of transnational cultural labor</strong> <br /> <em>Bridget Conor / Goldsmiths College, University of London</em>

Problems in “Wellywood”: Rethinking the politics of transnational cultural labor
Bridget Conor / Goldsmiths College, University of London

Bridget Conor examines the politics of transnational cultural labor in last fall’s Hobbit dispute.

<strong>Let’s All Read this Text</strong><br /> <em>Ann Johnson / Cal State University, Long Beach</em>

Let’s All Read this Text
Ann Johnson / Cal State University, Long Beach

An exploration of audience response to satire and the “ridiculous” through a video about a banana.

<strong>Disaster Zones and the Performance of Television</strong> <br /> <em>Graeme Turner / University of Queensland</em>

Disaster Zones and the Performance of Television
Graeme Turner / University of Queensland

The disastrous flooding in Queensland, AU, calls into question the way in which television engages with local communities during moments of crisis.

<strong>Haunting Crime: the Gothic, the Grotesque and the Paranormal</strong> <br /> <em>Yvonne Tasker / University of East Anglia</em>

Haunting Crime: the Gothic, the Grotesque and the Paranormal
Yvonne Tasker / University of East Anglia

Tasker examines the linkage between the stylized traditions of the Gothic and the crime genre.

<strong>The Myth of Amateur Crowds</strong> <br /> <em>Daren Brabham / University of North Carolina at Chapel Hill</em>

The Myth of Amateur Crowds
Daren Brabham / University of North Carolina at Chapel Hill

A more critical lens is held up to the concept of “crowdsourcing,” dispelling several myths surrounding the role of the amateur in cultural and commercial production.

<strong>Zombie Gentrification</strong> <br /> <em>Christopher Lockett / Memorial University </em>

Zombie Gentrification
Christopher Lockett / Memorial University

An appraisal of AMC’s The Walking Dead and how the show participates in the zombie genre’s shift from B-grade schlock to “Quality TV” and mainstream Hollywood.

<strong>Black Guy Corner: What the Upfront Photos Say about the State of TV, Part 2</strong> / <em>Cindy Conaway and Sheila Marie Aird / SUNY Empire State College</em>

Black Guy Corner: What the Upfront Photos Say about the State of TV, Part 2 / Cindy Conaway and Sheila Marie Aird / SUNY Empire State College

This article, the second in an ongoing series, offers a critical examination of race in television networks’ “upfronts,” the photographs distributed to promote new shows. Does the television industry reinforce hegemony through the images used to promote these shows?

<strong>Wikileaks’ Lessons For Media Theory and Politics</strong> <br /> <em>Jayson Harsin / The American University of Paris</em>

Wikileaks’ Lessons For Media Theory and Politics
Jayson Harsin / The American University of Paris

The myriad controversies surrounding Wikileaks holds lessons about changing relations between new and old media forms and production; attention, circulation, media capital and celebrity; political economy and journalism; and even democracy and international relations.

<strong>Advertising and Celebrity Endorsement in Burma </strong><br /><em> Andrew King / Consumer Research and Communications Consultant </em>

Advertising and Celebrity Endorsement in Burma
Andrew King / Consumer Research and Communications Consultant

An examination of the use of celebrity image in Burmese advertising.