A journal of television and new media

Archive for July, 2010

<strong>That’s not blood, that’s music: Dexter’s musical seriality</strong> <br /> <em>Lisa Coulthard / University of British Columbia</em>

That’s not blood, that’s music: Dexter’s musical seriality
Lisa Coulthard / University of British Columbia

Coulthard examines the importance of the musical score in relation to television programming, using the series “Dexter” as a compelling case study of colorful aural storytelling.

<strong><em>“This Must Be a Bad Movie”</em>: Genre and Self-Reflexivity in <em>Alan Wake</em></strong><br /><em> Racquel M. Gonzales / FLOW Staff </em>

“This Must Be a Bad Movie”: Genre and Self-Reflexivity in Alan Wake
Racquel M. Gonzales / FLOW Staff

An exploration of the game’s unique play experience and the unexpected pleasures in guided interactive storytelling.

<strong>Tying Narrative Threads by Opening Closet Doors: Coming Out on <em>Ugly Betty</em></strong><br /><em>Melanie Kohnen / Georgia Institute of Technology</em>

Tying Narrative Threads by Opening Closet Doors: Coming Out on Ugly Betty
Melanie Kohnen / Georgia Institute of Technology

Narrative cohesion in the coming-out story of Ugly Betty.

<strong>Kitchen Monoliths: Memories of Domestic Minimalism </strong><br /><em> Paul Gansky / FLOW Staff </em>

Kitchen Monoliths: Memories of Domestic Minimalism
Paul Gansky / FLOW Staff

On the unholy marriage of Woody Harrelson, home freezers and minimalist art.

<strong>Modern Family’s Indictment of Modern Families</strong> <br /> <em>Esteban del Rio and Kasey Mitchell / University of San Diego</em>

Modern Family’s Indictment of Modern Families
Esteban del Rio and Kasey Mitchell / University of San Diego

A close look at Modern Family’s look at modern families.

<strong>Power in Parody: Femininity 101 at RuPaul’s Drag U</strong><br /><em> Daren C. Brabham / UNC at Chapel Hill</em>

Power in Parody: Femininity 101 at RuPaul’s Drag U
Daren C. Brabham / UNC at Chapel Hill

Daren Brabham examines RuPaul teaching women how to be glamorous on his new Logo TV program, RuPaul’s DragU.

<strong>“They Have the Oscars”: Oppositional Telebranding and the Cult of the Horror Auteur </strong><br /><em> Joe Tompkins / University of Minnesota </em>

“They Have the Oscars”: Oppositional Telebranding and the Cult of the Horror Auteur
Joe Tompkins / University of Minnesota

Joe Tompkins examines the place of the horror auteur within convergent media culture.

<strong>Show Musical Good, Paired Segments Better: Glee’s Unevenness Explained </strong><br /><em> Kelli Marshall / University of Toledo </em>

Show Musical Good, Paired Segments Better: Glee’s Unevenness Explained
Kelli Marshall / University of Toledo

A thoughtful consideration of why the musical numbers on Glee can sometimes feel generically incoherent.

<strong>“Betty White Found Dead” and Other Fake Gossip</strong> <br /> <em>Carolina Hernandez / FLOW Staff</em>

“Betty White Found Dead” and Other Fake Gossip
Carolina Hernandez / FLOW Staff

A look at the role Oh No They Didn’t plays in the online celebrity rumor mill.

<strong>Pwning OWN: the unlikely ascent of Zach Anner</strong> <br /> <em>William J. Moner / FLOW Co-Coordinating Editor</em>

Pwning OWN: the unlikely ascent of Zach Anner
William J. Moner / FLOW Co-Coordinating Editor

Allegations of vote tampering are discussed as Zach Anner and Dr. Phyllis compete for their “OWN” show on Oprah Winfrey’s new network, OWN.

<strong>In the Shadow of a Metaphor: <em>The Vampire Diaries</em> and Southern History</strong><br /><em> Janani Subramanian / University of Southern California </em>

In the Shadow of a Metaphor: The Vampire Diaries and Southern History
Janani Subramanian / University of Southern California

A compelling exploration of revisionist storytelling methods at work in The Vampire Diaries.

<strong>Thank You for Not Answering All of My Questions</strong> <br /> <em>Ann Johnson / Cal State University, Long Beach</em>

Thank You for Not Answering All of My Questions
Ann Johnson / Cal State University, Long Beach

An examination of how Lost provided narrative resolution while still retaining mystery.