A journal of television and new media

Archive for April, 2010

<strong>Sweatin’ Out the Shame</strong><br /><em>Lucas Hilderbrand / University of California, Irvine</em>

Sweatin’ Out the Shame
Lucas Hilderbrand / University of California, Irvine

A look at classic VHS workout tapes.

<strong>Oh My, What Big Ambitions You Have!: ABC’s 1965 Revision of “Little Red Riding Hood”</strong><br /><em> Quinn Miller / Hampshire College </em>

Oh My, What Big Ambitions You Have!: ABC’s 1965 Revision of “Little Red Riding Hood”
Quinn Miller / Hampshire College

An examination of “The Dangerous Christmas of Red Riding Hood—or Oh Wolf, Poor Wolf” and its role in the camp sensibility emerging within U.S. media culture in the mid-1960s.

<strong>Introduction to Oogabooga Studies</strong><br /><em>David Parry / University of Texas, Dallas</em>

Introduction to Oogabooga Studies
David Parry / University of Texas, Dallas

As a follow-up to discussions of the “new” and “media” aspects of “new media” studies, Parry proposes the name “Oogabooga Studies” to ameliorate the overuse of the phrase “new media.”

<strong>The Return of the Digital Native: Interfaces, access, and racial difference in <em>District 9</em></strong><br />Kevin Hamilton & Lisa Nakamura / University of Illinois, Urbana-Champaign</strong>

The Return of the Digital Native: Interfaces, access, and racial difference in District 9
Kevin Hamilton & Lisa Nakamura / University of Illinois, Urbana-Champaign

An analysis of “digital natives” and similar representations within science fiction films.

<strong>Tiger! Tiger! Burning Bright</strong><br /><em>David L. Andrews / University of Maryland</em>

Tiger! Tiger! Burning Bright
David L. Andrews / University of Maryland

A look at the (crumbling) star identity of Tiger Woods.

<strong>Bing: An Illiterate Cure for Search Overload</strong><br /><em>Daren C. Brabham and 
Annie Brabham / University of Utah </em>

Bing: An Illiterate Cure for Search Overload
Daren C. Brabham and 
Annie Brabham / University of Utah

A consideration of how the search engine Bing “decides” for its users.

<strong>An Empty Set </strong><br /><em> Meghan Sutherland / Oklahoma State University</em>

An Empty Set
Meghan Sutherland / Oklahoma State University

A consideration of theoretical applications to the apparatus of television against the presence of cable signal frequency

Meghan Sutherland / Oklahoma State University

<strong> ‘Wanna be on top?’: <em>America’s Next Top Model</em> and evaluating presentational performance as televisual skill</strong><br /><em>James Bennett / London Metropolitan University</em>

‘Wanna be on top?’: America’s Next Top Model and evaluating presentational performance as televisual skill
James Bennett / London Metropolitan University

A comparison of the performance styles of American and Australian ‘Top Model’ hosts Tyra Banks and Johdi Meares.

<strong>Watching for Botox </strong><br /><em> Julia Lesage / University of Oregon </em>

Watching for Botox
Julia Lesage / University of Oregon

The visibility of botox on Damages leads the author to reflect on how cosmetic surgery appears on television and in public life, and why.

<strong>Marshall’s Children</strong> <br /><em>Charles R. Acland / Concordia University</em>

Marshall’s Children
Charles R. Acland / Concordia University

Re-situating Marshall McLuhan in media studies, in light of a new biography by Douglas Coupland.

<strong>Postfeminist Primary Colors: Coding Femininities in Media Culture</strong><br /><em>Hannah Hamad / Massey University</em>

Postfeminist Primary Colors: Coding Femininities in Media Culture
Hannah Hamad / Massey University

A discussion of the ways that femininities are conceptualized in postfeminism through color-coding.

<strong>The D2D Release: Notes on a Burgeoning Market </strong><br /><em> Amanda Klein / East Carolina University </em>

The D2D Release: Notes on a Burgeoning Market
Amanda Klein / East Carolina University

Direct-to-DVD (D2D) films are often ignored by academic discourse, yet the study of D2D films offers an important contribution to the fields of both reception and genre studies.