12.07»
My Co-Worker is on Big Brother
Ann Johnson / Cal State University, Long Beach
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An academic reflects on her colleague’s participation on the reality show “Big Brother.”
12.06»
Hot in Cleveland: Everything Old is New Again?
Alexander Doty / Indiana University
(3)
Is the female-centered sitcom Hot in Cleveland empowering, or merely old-fashioned?
- “The future, Mr. Gittes. The future.”: Next Wave Filmmaking and Beyond, Part 1 *
Robert Sickels / Whitman College - On Retrospective Reception: Watching LVN Pictures at the Cinemalaya Film Festival
Bliss Cua Lim / University of California, Irvine - Fiercely Real? Tyra Banks’ Body Politics and Post-Feminist Branding
Jessalynn Keller / Flow Special Features Editor - “We Think INSIDE the Box”: CD Box Sets in the Download Era
Kyle Barnett / Bellarmine University
12.05»
That’s not blood, that’s music: Dexter’s musical seriality
Lisa Coulthard / University of British Columbia
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Coulthard examines the importance of the musical score in relation to television programming, using the series “Dexter” as a compelling case study of colorful aural storytelling.
- “This Must Be a Bad Movie”: Genre and Self-Reflexivity in Alan Wake
Racquel M. Gonzales / FLOW Staff - Tying Narrative Threads by Opening Closet Doors: Coming Out on Ugly Betty
Melanie Kohnen / Georgia Institute of Technology - Kitchen Monoliths: Memories of Domestic Minimalism
Paul Gansky / FLOW Staff - Modern Family’s Indictment of Modern Families
Esteban del Rio and Kasey Mitchell / University of San Diego - Power in Parody: Femininity 101 at RuPaul’s Drag U
Daren C. Brabham / UNC at Chapel Hill
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